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While girls' films (like Molly Grows Up) focus on menstruation to the exclusion of sexual pleasure and speak of coping with the physical preconditions of gender rather than coming to terms with desire, As Boys Grow admits the existence of pleasure and its gratification. It speaks explicitly of sexual excitement, of erections and the "hard penis" and addresses male masturbation without mystery. This admission would make the film a radical statement for the Fifties.Īs Boys Grow also differs from other sex ed films (and most strongly from those directed at girls) by admitting specifically that sex is linked with pleasure. One might read this film as a tacit admission that the family can't take care of all its members' needs Ñ that children sometimes need to go beyond their parents for grounding in certain complex areas. One boy, in fact, says his father "never says much about anything" relating to sex. "Oh, you know, when sperm comes out of your penis."Īpparently the gym is a safer place for sexual discussion than within the family, and we get a strong sense that Fifties men were supposed to learn about sex in and around the gym while Fifties women worked it out with their mothers. The gym was safe territory for sexual discussions and the coach a noncontroversial facilitator. Although it might not seem unusual today, the achievement of this film seems to me to be the way that it naturalizes sexuality and creates an open atmosphere where all questions, no matter how misguided, draw serious adult attention. Unlike Molly Grows Up, staged in the midst of the nuclear family, As Boys Grow shows sex education for boys as a team effort supervised by a fatherly coach figure. As Boys Grow, produced in the relatively liberal San Francisco Bay Area, presents regular boys asking regular questions and contains frank discussion of such topics as nocturnal emissions. It was unusual to show children speaking relatively freely about sexuality, and because of the necessity of educating girls about menstruation, more addressed girls than boys. Most of these films concentrated on the physiology of sex and reproduction and were replete with animated "plumbing" diagrams. Prior to the period of frankness that began in the mid-1960s, relatively few sex education films were actually produced in the United States.
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The coach is the authority figure and teacher. Deals with sexual organs, masturbation, wet dreams, and other male issues. Sex education film geared for teenage boys. I give it a 7.Sex education film aimed at teenage boys, with the coach as authority figure and teacher. Low-key and somewhat disturbing but effective. There's some beautiful cinematography and a good music score too. He has the wonderful actress Theresa Russell as his mom and obviously inherited her acting abilities.
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Like I said I hated that ending but I'm glad the movie didn't change it. It (sort of) retains the ambiguous ending of the book. I also like how their kissing and having sex is treated so casually-as it should. The sex scenes are very tastefully done (nothing remotely graphic) and these two are so obviously not teens it's not disturbing to watch. Bender and Roeg perfectly play two teenage boys in love-you can see the confusion and passion in their faces.
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I bought this movie cautiously because I didn't think it could be as good as the book and I was curious HOW they would end it. I read the book years ago and loved it but I hated the ending cause it's so ambiguous. Half way through things about Nathan become clearer-and more disturbing-and the movie gets dark. They form a friendship which quickly turns into a physical relationship.
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Right next door to him is teenager Roy (Max Roeg) who is out-going and friendly.
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Shy teenager Nathan (Stephen Bender) moves into the deep South with his parents.